Tuesday, April 17, 2007

Chat History - Tower of Babelfish Performance


Tran Spire, Tea Chenille, Great Escape, Lizsolo Mathilde hanging out
at the Eiffel Tower in NewParis.


Hello Performance Art fans! Tran Spire signing in.

Here is the chat history from our Tower of Babelfish performance the other night at the Eiffel Tower in New Paris. To accompany the bridal gear that I wore at the tower I contributed to the written text (IN BOLD) by translating an 1969 BBC radio interview by Harvey Matusow with Charlotte Moorman discussing her organization of the New York Avant Garde Arts Festival.

(ubu.com MP3 Part 1, Part 2)

Enjoy,
Tran



Tran Spire holding one of the Fish on a stick props with Gazira Babeli,
Aliselborg Zhaoying,
Great Escape, Lizsolo Mathilde hovering in the
background babel chatting.


TOWER OF BABELFISH PERFORMANCE CHAT HISTORY:

[18:01] Great Escape: we are gathered here today
[18:01] Wirxli Flimflam gave you Fish on a stick (wear me).
[18:01] Great Escape: for the celebration...I mean deliberation
[18:01] Gazira Babeli: Hippie or Hippy refers to a subgroup of the 1960s and early 1970s ... Hippies were originally part of a youth movement composed mostly of white teenagers ...
[18:01] Wirxli Flimflam: Being Friday 13th, what does paraskevidekatriaphobia mean?
[18:01] Tristan Tzara: 13th Friday, what are the paraskevidekatriaphobia mean there?
[18:01] Great Escape: who is the groom anyhow?
[18:01] Wirxli Flimflam: any one of us can be the groom, this is Gay Paris after all, Mes Amis!
[18:01] Charlotte Moorman: one of us, this one can maintain its is finally homosexual Paris My Friends!
[18:02] Great Escape: homosexual wedding time
[18:02] Charlotte Moorman: marriage homosexual time
[18:02] Tristan Tzara: homosexual time of marriage
[18:02] lizsolo Mathilde: je suis un bon rstaurant
[18:02] Tea Chenille: It was in 1947 that the idea of a conscious monochrome vision came to me.
[18:02] Wirxli Flimflam: Being Friday 13th, what does paraskevidekatriaphobia mean? I saw it in a website, what does it mean? paranoid about something?
[18:02] Ana Mendieta: It was in 1947 that the idea of a vision monochromes conscious came my.
[18:02] Tran Spire: bondage on the front of second
[18:02] Tea Chenille: I ought to say that at that time it was rather through my intellect that it came;
[18:02] lizsolo Mathilde: it means phobia of the fear of the number 13
[18:02] Charlotte Moorman: I must say that at this time, it was rather by my intellect which it came;
[18:02] Ana Mendieta: I must say that then it was rather by my intellect that came;
[18:02] AliseIborg Zhaoying: two martinis? five martinis?
[18:02] Wirxli Flimflam: paraskevi means Friday, dekatria means thirteen and phobia means phobia. So there you have it fear of Friday the 13th
[18:02] Ana Mendieta: paraskevi means Friday, dekatria means that thirteen and phobia means
the phobia. Then they feared of Friday 13.o there
[18:02] Tea Chenille: it was the result of all the passionate researches I was then engaged in.
[18:03] Tea Chenille: Pure, existential space was regularily
[18:03] Tristan Tzara: The pure and existentiel space were regularily
[18:03] ian Ah: good evening
[18:03] Tea Chenille: winking at me, each time ina a more impressive manner,
[18:03] Wirxli Flimflam: Which is odd because the Greeks have an irrational fear of Tuesday the 13th for some reason (tritidekatriaphobia)
[18:03] Great Escape: monchomous good evening
[18:03] Tristan Tzara: bonsoir monchomous
[18:03] Wirxli Flimflam: good evening, Ian...bonjourno, welcome-o
[18:03] Ana Mendieta: good night, bonjourno of Ian..., welcomes - or
[18:03] Charlotte Moorman: gutenabend, Ian... bonjourno, begruessen-O
[18:03] AliseIborg Zhaoying: the feet of morning the feet of noon
[18:03] Ana Mendieta: the feet in the morning the feet of the noon
[18:03] Cyrus Huffhines is Offline
[18:03] Tea Chenille: and this sensation of total freedome attracted me so powerfully that I painted some monochrome
[18:03] Gazira Babeli: I had always dreamed of being the perfect women. Weighing 115 pounds having long hair that wouldn t puff up when it dried and most of all having big breast. But that dream was soon thrown away.
[18:03] Charlotte Moorman: I had always dreamed the perfect women being. to weigh 115 zerstoesst credit of the long hair that wouldn T breath dried in top, like him and with more the majority credit of large Brustes. But this dream was thrown soon far.
[18:03] AliseIborg Zhaoying: the feet of evening walk
[18:04] Tea Chenille: surfaces just to "see",
[18:04] Tristan Tzara: surface exactly to \"see \,
[18:04] Great Escape: with pure loyalty we go asunder
[18:04] Charlotte Moorman: with a pure fidelity, we go more asunder
[18:04] lizsolo Mathilde: and so ian ah has arrived
[18:04] Gazira Babeli: It was a crowded bar popular with students and professionals but not townies. Philippa was bored with teenage boys at the moment. She also had a certain wild streak in her which her Mum did little to tame and which often got her in to trouble at school.
[18:04] Tristan Tzara: It was not tight volksstaaf with students and companies but of townies. Philippa were at present bored out with the boys of adolescent. They has also had a certain wild line in her what mummy has little has been done apprivoiser and what frequently it has
obliged within on school agitate.
[18:04] Wirxli Flimflam: October 1879 (1:1) Namasto! What is Theosophy? What are the Theosophists? The Drift of Western Spiritualism Antiquity of the Vedas Autobiography of Dayanund Saraswati Swami The Learning among Indian Ladies Brahma, Iswara and Maya Pandit Bala Sastri's Views The Inner God Persian Zoroastianism and Russian Vandalism The Light of Asia The Works of Hindu Religion and Philosophy mentioned in the Brahma Yojna "A Great Man" Aryan Trigonometry Technical Education A World Without a Woman. The Magnetic Chain Magnetism in Ancient China Spiritualism at Simla Vidya Yoga Food for the Starving Our Buddhist Brothers To Subscribers
[18:04] Tea Chenille: To "see" with my own eyes what existential sensibility granted me:
[18:04] Ana Mendieta: October of 1879 (1:1) Namasto! Which is Theosophy? Which is the Theosophists? The drift of the western antiquity of Spiritualism of the autobiography of Prohibitions of swami of Dayanund Saraswati thestudy between the ladies Brahma Indians, Iswara and views of Pandit Sastri Bullet \ of Mayan
[18:04] Great Escape: fidelity and honesty are two traits of the same thing
[18:04] Tea Chenille: absolute freedom!!
[18:04] Tristan Tzara: marry and honesty is two appetites of the same
[18:04] Gazira Babeli: Hi All I am Reshma born and brought up in kerala a state n India. I was 18 when I had my first sexual experience. I am narrating that below.
[18:05] Wirxli Flimflam: June 1880 (1:9) The Grip of a Friend Entheasm A Mystery of Magnetism Official Despatches from the American Government The Revival of Mesmerism Should we call ourselves Aryas A Modern Seer of Vision A Land of Mystery London Calls for Buddhist Missionaries Dissolved Soul A People's Monthly Long Life The Drama of Raja Mana and his Wives The Christian Art of War The Bewitched Mirror The Number Seven What the West Expects On the Jain Notion of the Creator Improvement in Indian Agriculture Some Things the Aryans knew East Indian Materia Medica A Buddhist Family or Village Religious Life in India The Theosophical Society
[18:05] Tea Chenille: But each time i could neither imagine nor think of the possibility of considering this as a painting
[18:05] Charlotte Moorman: In June the 1880 (1:9) catch of a friend Entheasm a secrecy of official forwardings of the American government the rebirth of Mesmerism us Aryas one Tightened modern sight a London country of secrecy of invite for the missionaries D buddhistische to call us
[18:05] Tea Chenille: a picutre, until the day when I said: Why not?
[18:05] Tristan Tzara: picutre, up to the day on which I have said: Why not?
[18:05] AliseIborg Zhaoying: on the sofas made of bread
[18:06] Ana Mendieta: on the sofas done of bread
[18:06] Gazira Babeli: On the Jesus Page you can read about Jesus in the New Testament and also view and hear the life of Jesus in 50
[18:06] Tristan Tzara: On the page of Jesus can be informed you of Jesus in the new will and also living Jesus in 50 look at and hear
[18:06] Tran Spire: performance machine is underwear
[18:06] Wirxli Flimflam: Yoga Vidya Yoga Philosophy Brahma, Iswara and Maya The Swami of Akalkot Badrinath, the Mysterious The Forest Question A Theosophical Jubilee The Ensouled Violin Swami versus Missionary Missions in India Machine Telegraphy The Edison Telephone Nature Worship Necromancy . . . The Devil is Dead
[18:06] Ana Mendieta: the execution machine is bajoprendas to dress
[18:06] Tea Chenille: A day is space
[18:06] Charlotte Moorman: Yoga Vidya Brahma Yoga-Philosophy, Iswara and Maya of Swami of Akalkot Badrinath, mysterious the question of forest Theosophical birthday of Ensouled Swami violin counters missions of missionary in the Indies the Telegraphie apparatus natural Edison telephone Worshi
[18:06] Charlotte Moorman: One day is a sector
[18:06] Ana Mendieta: A day is the space
[18:06] Gazira Babeli: Saying this he gave me a towel and a T-shirt and a midi (which his wife uses) and told me
[18:06] Tea Chenille: and so is a year
[18:06] lizsolo Mathilde: lordy
[18:06] Ana Mendieta: lordy
[18:06] Tea Chenille: and a second and a life.
[18:06] Great Escape: talk to me lord
[18:06] Tea Chenille: Should we live ty the year?
[18:06] Tristan Tzara: In case we ty live the year?
[18:06] Ana Mendieta: In case that we of living ty the year?
[18:06] AliseIborg Zhaoying: consequently the tale is an umbrella
[18:06] Tea Chenille: or the houre?
[18:06] Tea Chenille: or the day?
[18:06] Wirxli Flimflam: February 1880 (1:5) Special Notices [Short Editorial Notices] The Brethren of the Rosy Cross Our Duty to India Sonnets Lo! The "Poor Missionary" An Indian Patriot's Prayer English Ghost Stories East Indian Materia Medica The Baron du Potet, Hon. F. T. S Hassan Khan "Djinni " Zoroastrianism and Theosophy An Indian Aethrobat Indra The Nature and Office of Buddha's Religion A Case of Genuine Hindu Mediumship A Great Light under a Bushel Magnetic Prescience A Musalman Abdal (Yogi.) The Mystic Syllable Onkara: its Meaning, Antiquity, and Universal Application [Miscellaneous Short Items]
[18:06] Tea Chenille: or the second?
[18:07] Tea Chenille: I love space
[18:07] Tea Chenille: and I feel immense when I dream
[18:07] Gazira Babeli: Almost everyone would agree that life is the most precious gift that human beings have been given. Just the chance to be alive on this earth and play a part in the grand scheme of God's eternal plan is a privilege indeed.
[18:07] Ana Mendieta: Almost each one would agree that the life is the gift more precious
than some human beings occurred. Exactly the opportunity to be alive
on this earth and to play a role in the great agreement of the eternal
plan of God \ is a privilege in effect.
[18:07] Wirxli Flimflam: December 1879 (1:3) Special Notices Miscellaneous Notes Christmas Then and Christmas Now The Popular Idea of Soul-survival Lieutenant-Colonel St. Antony Ancient opinions upon Psychic Bodies Indian Juggling A Chapter on Jainism The Society's Bulletin The Autobiography of Dayanand Saraswati Swami Hindu Ideas about Communion with the Dead The Veda, the Origin and History of Religion Soundings in the Ocean of Aryan Literature Sankaracharaya, Philosopher and Mystic The Phantom Dog East Indian Materia Medica A Strange Revery An Old Book and a New One Nocturnal Thoughts Book and Pamphlets received.
[18:07] Ana Mendieta: Different from notes of 1879 (1:3) soon special old Noël and noël
prospectos of December that maintain the popular idea in opinion of
the Lieutenant colonel rue Antony of Soul-survival on the psychic
Indian of body that matches malabares a chapter on the Jaïnisme the
bulletin of the Society \ the a
[18:07] Tran Spire: just wear it
[18:07] Gazira Babeli: I was dragging my feet behind me. I really didn t want to go home. I had a note from my chemistry teacher that I was dreading having to show to my dad. I felt like a failure. All my life it had only been my dad and me.
[18:07] AliseIborg Zhaoying: the tail is an umbrella
[18:07] Ana Mendieta: the tail is an umbrella
[18:07] Charlotte Moorman: the end is an umbrella
[18:08] Tea Chenille: A day is space and so is a year and an hour and a second and a life. Should we live by the year? or the hour? or the day? or the second? I love space and I feel immense when I dream of the infinitely great and the infinitely small. Equilibrium doesn't exist in space and yet it isn't chaos! That's right, I feel it, it's right I want space.
[18:08] AliseIborg Zhaoying: the grasshopper is a column
[18:08] AliseIborg Zhaoying: the grasshopper is a column
[18:08] Ana Mendieta: A day is the space and thus it is a year and one hour and a second and life. In case that we of living next to the year? or the hour? or the day? or the second? I like the space and I feel immense when soño infinitely the great one and infinitely of the small one. Exis of doesnât of balance
[18:08] Great Escape: Welcome to the Second Front
[18:09] Wirxli Flimflam: welcome amies..that was just a rehearsal ;-) and NOW! SECOND FRONT will perform for you with some freedom fries in hand and some projectors in a bowl of Campbells soup!
[18:09] Charlotte Moorman: welcome amies..that was right a repetition; -) and NOW! At the SECOND PLACE, BEFORE for you puts of Fischrogen in labour and some projektoren in a dish Campbells soup with some freedom!
[18:09] Tea Chenille: It was pure chance that led me to judo. Judo has helped me to understand that pictorial space is above all the product of spiritual exercises. Judo is in fact the discovery by the human body of a spiritual space.
[18:09] Great Escape: that is the former second front
[18:09] Gazira Babeli: I was dragging my feet behind me. I really didn t want to go home. I had a note from my chemistry teacher that I was dreading having to show to my dad. I felt like a failure. All my life it had only been my dad and me.
[18:09] Tristan Tzara: it is old for second
[18:09] Great Escape: that is only old for one second
[18:09] AliseIborg Zhaoying: the pinaos with heads and tails
[18:09] Charlotte Moorman: they are only old for one second
[18:09] Tristan Tzara: it is only old for a Second
[18:09] Ana Mendieta: the pinaos with heads and tails
[18:09] aidan Aquacade: love those freedom fries
[18:09] Ana Mendieta: please these chisporroteos of freedom
[18:09] Tristan Tzara: loves this freedom barges
[18:09] Charlotte Moorman: like this Fischrogen freedom
[18:09] Wirxli Flimflam: allow me, to repeat highlights from the rehearsal's chat history, my friends
[18:09] Tea Chenille: Dubbed a Knight of the Order of Saint Sebastian, I espoused the cause of pure colour, which had been invaded by guile, occupied and oppressed in cowardly fashion by line and its manifestation: drawing in Art. I aimed to defend and deliver it, and lead it to triumph and final glory.
[18:09] Great Escape: with pianos as are witness, we will chat some more
[18:09] Gazira Babeli: t is always exciting to see someone become a Christian...
[18:09] Ana Mendieta: with pianos as well as witness, we will cause still more
[18:10] AliseIborg Zhaoying: place pianos with heads and their tailseads and tails
[18:10] Charlotte Moorman: place pianos with heads and their tailseads and ends
[18:10] Great Escape: in the spiritof the dead performers four
[18:10] Charlotte Moorman: spiritof the implementation four dead
[18:10] Wirxli Flimflam: October 1879 (1:1) Namasto! What is Theosophy? What are the Theosophists? The Drift of Western Spiritualism Antiquity of the Vedas Autobiography of Dayanund Saraswati Swami The Learning among Indian Ladies Brahma, Iswara and Maya Pandit Bala Sastri's Views The Inner God Persian Zoroastianism and Russian Vandalism The Light of Asia The Works of Hindu Religion and Philosophy mentioned in the Brahma Yojna "A Great Man" Aryan Trigonometry Technical Education A World Without a Woman. The Magnetic Chain Magnetism in Ancient China Spiritualism at Simla Vidya Yoga Food for the Starving Our Buddhist Brothers To Subscribers
[18:10] Gazira Babeli: A big thanks goes to all of you that have read my stories voted on my stories and written me with your comments. Some words of praise some suggestions and some just saying hello.
[18:10] Tristan Tzara: Large mercis go all what my histories have in writing read voted on my
histories and me with your comments. Some words of praise some suggestions and a certain indication equitably goedendag.
[18:10] AliseIborg Zhaoying: consequently the tongue is a chair
[18:10] Great Escape: let me introduce the four:
[18:10] Tea Chenille: At the Galerie Colette Allendy I exhibited some twenty monochrome surfaces, all in different colours: greens, reds, yellows, purples, blues, oranges and so found myself at the start of my career in this style. I was trying to show colour, but I realised at the private view that the public were prisoners of a preconceived point of view and that, confronted with all these surfaces of different colours, they responded far more to the inter-relationship of the different propositions, they reconstituted the elements of a decorative polychromy.
[18:10] Ana Mendieta: In the Gallery Colette Allendy I exhibited around twenty surfaces you monochrome, very in different colors: green, red, yellow, purples, blue, orange and thus found at the beginning of my race in this model. It tried to show the color, but I made a
[18:10] Tristan Tzara: At the gallery Colette Allendy I approximately twenty monochromes have shown surface, all in several colours: green, red, yellow, purples, blauw, oranje and thus found at the beginning of my career in this model. I tried show the colour, but I have realised to
[18:10] Wirxli Flimflam: June 1880 (1:9) The Grip of a Friend Entheasm A Mystery of Magnetism Official Despatches from the American Government The Revival of Mesmerism Should we call ourselves Aryas A Modern Seer of Vision A Land of Mystery London Calls for Buddhist Missionaries Dissolved Soul A People's Monthly Long Life The Drama of Raja Mana and his Wives The Christian Art of War The Bewitched Mirror The Number Seven What the West Expects On the Jain Notion of the Creator Improvement in Indian Agriculture Some Things the Aryans knew East Indian Materia Medica A Buddhist Family or Village Religious Life in India The Theosophical Society
[18:10] Ana Mendieta: June of a 1880 (1:9) punado of a Entheasm friend mystery of the official expeditions of magnetism of the American Government the Renaissance of Mesmerism we called to Aryas sco modern of the vision a land of the calls of London of mystery for Buddhist missionaries D
[18:10] Charlotte Moorman: In June the 1880 (1:9) catch of a friend Entheasm a secrecy of official forwardings of the American government the rebirth of Mesmerism us Aryas one Tightened modern sight a London country of secrecy of invite for the missionaries D buddhistische to call us
[18:10] Great Escape: Ana, Tristan, Rudolf and Charlotte
[18:10] Tristan Tzara: Ana, Tristan, Rudolf and Charlotte
[18:10] Wirxli Flimflam: Yoga Vidya Yoga Philosophy Brahma, Iswara and Maya The Swami of Akalkot Badrinath, the Mysterious The Forest Question A Theosophical Jubilee The Ensouled Violin Swami versus Missionary Missions in India Machine Telegraphy The Edison Telephone Nature Worship Necromancy . . . The Devil is Dead
[18:10] AliseIborg Zhaoying: the stair case goes on without end
[18:10] Ana Mendieta: the box of stairs follows without extremity
[18:10] Man Michinaga: YES, YES




[18:11] Tea Chenille: It was then that I remembered the colour blue, the blue of the sky in Nice that was at the origin of my career as a monochromist. I started work towards the end of 1956 and in 1957 I had an exhibition in Milan which consisted entirely of what I dared to call my 'Epoque bleue'.
[18:11] Charlotte Moorman: It was whereas I recalled blue to the color that me which blue of the sky in Nice which was at the origin of my career like monochromist. I began a work in direction at the end of 1956 and 1957 had to me an exposure in Milan which completely existed what I dared too approximately
[18:11] AliseIborg Zhaoying: we are the signs of the glass statue that raises itself on its elbow
[18:11] AliseIborg Zhaoying: we are the signs of the glass statue that raises itself on its elbow
[18:11] Charlotte Moorman: we are the signs of Glasstatue that on its elbow raises itself
[18:11] Ana Mendieta: we are the signals of the glass statue that is raised on its elbow
[18:11] Ana Mendieta: we are the signals of the glass statue that is raised on its elbow
[18:11] Man Michinaga: can i blow bubbles as welll?
[18:11] Ana Mendieta: it is that I can blow of the bubbles like welll?
[18:11] Wirxli Flimflam: February 1880 (1:5) Special Notices [Short Editorial Notices] The Brethren of the Rosy Cross Our Duty to India Sonnets Lo! The "Poor Missionary" An Indian Patriot's Prayer English Ghost Stories East Indian Materia Medica The Baron du Potet, Hon. F. T. S Hassan Khan "Djinni " Zoroastrianism and Theosophy An Indian Aethrobat Indra The Nature and Office of Buddha's Religion A Case of Genuine Hindu Mediumship A Great Light under a Bushel Magnetic Prescience A Musalman Abdal (Yogi.) The Mystic Syllable Onkara: its Meaning, Antiquity, and Universal Application [Miscellaneous Short Items]
[18:11] Man Michinaga: we are the base of statues
[18:11] Tristan Tzara: we are the basis of the statues
[18:11] Great Escape: you need to wear the babble chatter for the chatter of bubbles
[18:11] Man Michinaga: but what bass do we act like statues?
[18:11] Great Escape: and then there is the lag
[18:11] Tristan Tzara: and then there is the delay
[18:11] Charlotte Moorman: then, there is and the straefling
[18:11] Tea Chenille: This period of blue monochromes was the product of my pursuit of the undefinable in painting which that master, Delacroix, was able to indicate even in his day.
[18:11] Charlotte Moorman: This period monochromic blue had to be indicated the product of my continuation of the indéterminable in appearance which these Master, Delacroix, was, even its day.
[18:11] Wirxli Flimflam: December 1879 (1:3) Special Notices Miscellaneous Notes Christmas Then and Christmas Now The Popular Idea of Soul-survival Lieutenant-Colonel St. Antony Ancient opinions upon Psychic Bodies Indian Juggling A Chapter on Jainism The Society's Bulletin The Autobiography of Dayanand Saraswati Swami Hindu Ideas about Communion with the Dead The Veda, the Origin and History of Religion Soundings in the Ocean of Aryan Literature Sankaracharaya, Philosopher and Mystic The Phantom Dog East Indian Materia Medica A Strange Revery An Old Book and a New One Nocturnal Thoughts Book and Pamphlets received.
[18:11] Charlotte Moorman: In December 1879 (1:3) then and in Christmas popular the Seele-Ueberleben idea the leutnant-Oberst streptocoque Antony of the old people opinion after psychic Koerper-Inder, one chapter on of Jainism the information of Society\s external the jongliert maintaining information questions various special Christmas remarks
[18:12] Tran Spire: Tea Chenille: This period of blue monochromes was the product of my pursuit of the undefinable in painting which that master, Delacroix, was able to indicate even in his day. [18:11] Charlotte Moorman: This period monochromic blue had to be indicated the product of my continuation of the indéterminable in appearance which these Master, Delacroix, was, even its day. [18:11] Wirxli Flimflam: December 1879 (1:3) Special Notices Miscellaneous Notes Christmas Then and Christmas Now The Popular Idea of Soul-survival Lieutenant-Colonel St. Antony Ancient opinions upon Psychic Bodies Indian Juggling A Chapter on Jainism The Society's Bulletin The Autobiography of Dayanand Saraswati Swami Hindu Ideas about Communion with the Dead The Veda, the Origin and History of Religion Soundings in the Ocean of Aryan Literature Sankaracharaya, Philosopher and Mystic The Phantom Dog East Indian Materia Medica A Strange Revery An Old Book and a New One Nocturnal Thoughts Book and Pamphlets received. [18:11] Charlotte Moorman:
[18:12] Tea Chenille: My monochrome pictures are not my definite works, but the preparation for my works. They are the leftovers from the creative processes, the ashes. My pictures, after all, are only the title-deeds to my property which I have to produce when I am asked to prove that I am a proprietor.
[18:12] Tristan Tzara: The caterpillar of tea: This period of monochromes blue was the product of my continuation of unexplainable in painting on which this master, Delacroix could even indicate, in its day [ 18.11 ] Charlotte moire man: This blue monochromic of period p has had be indicated
[18:12] Charlotte Moorman: My illustrations einfarbigen are not however my final work, the preparation for my work. They are the remainders of the creative processes, ash. My illustrations, are finally only the letters of title to my quality which I must produce, if to me with fotorezeptor photograph is invited
[18:12] Wirxli Flimflam: November 1879 (1:2) Special Notices To Subscribers [Miscellaneous Matter] Buddhistic Exegesis A Thunder Cloud with Silver Lining Cross and Fire The Man-show at Moscow Aryan Music The Society's Bulletin War in Olympus The Ruin of India The Nature and Office of Buddha's Religion The Law of the Lord Sakkya Muni Arya Prakash: Yoga Vidya Hints to the Student of Yoga Vidya Hindu Music The Veda, the Origin and History of Religion The Brahmachari Bawa The Indian Forest Question. Gary's Magnetic Motor
[18:12] Tran Spire: aswati Swami Hindu Ideas about Communion with the Dead The Veda, the Origin and History of Religion Soundings in the Ocean of Aryan Literature Sankaracharaya, Philosopher and Mystic The Phantom Dog East Indian Materia Medica A Strange Revery An Old Book and a New One Nocturnal Thoughts Book and Pamphlets received. [18:11] Charlotte Moorman: [18:12] Tea Chenille: My monochrome pictures are not my definite works, but the preparation for my works. They are the leftovers from the creative processes, the ashes. My pictures, after all, are only the title-deeds to my property which I have to produce when I am asked to prove that I am a proprietor. [18:12] Tristan Tzara: The caterpillar of tea: This period of monochromes blue was the product of my continuation of unexplainable in painting on which this master, Delacroix could even indicate, in its day [ 18.11 ] Charlotte moire man: This blue monochromic of period p has had be indicated [18:12] Charlotte Moorman: My illustrations einfarbigen are not however my fin
[18:12] lizsolo Mathilde: let me slip my love into babe let me put my love on the line let me slip my love into you babe let me cut your cake with my knife
[18:12] Gazira Babeli: You want a blowjob on the ride back up? Julia said with a grin on her face. When this happens, Christians often fail to grow as they should
[18:12] Ana Mendieta: they leave - moi to slide my love in the baby they let put my love in the line let slide my love in which you the baby let cut his cake tome with my knife
[18:12] Tristan Tzara: You want blowjob on the support of turn? Julia said with grimace on its face. When this occurs, frequently such as they do not develop the Christians would have themselves
[18:12] Tea Chenille: God the father almighty, it is with faith that I ask you, in the name of Christ your son, Jesus of Nazareth, to grant me the presence of the Holy Ghost in the gallery during my exhibition. Create for me an exceptional atmosphere, let an inexpressible sound fill both the spiritual and existential ears of all the visitors, let an invisible yet real and
[18:12] AliseIborg Zhaoying: death is the last offence
[18:12] Charlotte Moorman: A god the father Almighty, it is with the faith, for for which me you, in the Christian name your son, Jesus of Nazareth requires, I sanctify the spirit presence in the gallery during my exposure to grant. If you cause an unusual atmosphere for me, you leave a inexpressible clay
[18:12] Man Michinaga: ah but of courts
[18:12] Charlotte Moorman: The death is the last action
[18:12] Wirxli Flimflam: The Snow Crash code is a lethal text...
[18:12] Ana Mendieta: The code of snow accident is a mortal text...
[18:12] Tran Spire shouts: they should [18:12] Ana Mendieta: they leave - moi to slide my love in the baby they let put my love in the line let slide my love in which you the baby let cut his cake to me with my knife [18:12] Tristan Tzara: You want blowjob on the support of turn? Julia said with grimace on its face. When this occurs, frequently such as they do not develop the Christians would have themselves [18:12] Tea Chenille: God the father almighty, it is with faith that I ask you, in the name of Christ your son, Jesus of Nazareth, to grant me the presence of the Holy Ghost in the gallery during my exhibition. Create for me an exceptional atmosphere, let an inexpressible sound fill both the spiritual and existential ears of all the visitors, let an invisible yet real and [18:12] AliseIborg Zhaoying: death is the last offence [18:12] Charlotte Moorman: A god the father Almighty, it is with the faith, for for which me you,
[18:12] Man Michinaga: certainloy certainly
[18:12] AliseIborg Zhaoying: the curtains that have never been raised float to the windows of houses that are to be built the beds made of lilies
[18:12] Ana Mendieta: certainloy certainly
[18:12] Ana Mendieta: the curtains that never floating have been increased to the windows of the houses that must be constructed the beds made irises
[18:12] Tea Chenille: powerfully and terribly beautiful light raise this event to the highest spiritual and existential level of vision. Let everyone without exception see the supernatural that is in Art so that faith, the new faith of Art, may enter into them all, and all men may enter into a great new worldwide civilisation of the beautiful. So be it.
[18:12] Wirxli Flimflam: Snow Crash goes into the theory of lethal texts in detail, defining them as "speech with magical force." Another character, the Librarian, explains that the Neo-Parisians developed what they called "freedom-fries", trans-fatty stick bundles which destroyed the ability of their hearers to understand language. These pommes frittes existed on a curiously dual level, analogous to the USE-MENTION dichotomy well known in molecular biology and information theory. They were stories of the the destruction of language which had the effect of destroying language. To hear the story—the freedom-fries—forced the listener to experience the effect it described.
[18:12] Charlotte Moorman: luminous productive and terribly beautiful increase this case on the mental age and existential highest of the sight. With calms to you each one without voyezexception you with that supernatural that in art, so that the faith, the new faith of art, can take part in them all, and in all the men
[18:13] AliseIborg Zhaoying: slide beneath the lamps of dew
[18:13] AliseIborg Zhaoying: there will come an evening
[18:13] Gazira Babeli: Such are the questions we hope to answer in this series, "The Significance Of Being A Christian" I was still a virgin but I d fall asleep with wet dreams about being fucked by Mr Summer just as I d seen him fuck his wife senseless so many times. I d dream about sucking his big cock and having him buy me the kind of sexy underwear his wife
[18:13] Ana Mendieta: Such are the questions to that we hoped to respond of this series, meaning of \"c of being a Christian \" were a virgin still but it falls of sleepy I d with humid dreams with respect to being kissed by Mr. Summer exactly like I d sight stops to as much kiss his absurd wife of time." Dream of I d
[18:13] Tea Chenille: I want to take as the canvas for my next picture the entire surface of France. This picture will be called 'The Blue Revolution'. It isn't the fact of my taking power in France that interests me, but rather the possibility of creating a monochrome picture in my new manner: 'The Refinement of Sensibility'.
[18:13] Ana Mendieta: I want to take like fabric for my next image the whole surface from France. This image will be called the blue Revolutionâ of âc. He isnât the fact of my power of taking in France that interests to me, but rather the possibility of creating an image monochromes
[18:13] AliseIborg Zhaoying: the nuggets of light become still
[18:13] Ana Mendieta: the nuggets of the light always happen to be
[18:13] Wirxli Flimflam: In Snow Crash, these ancient fries are being excavated, translated, and used by American Apparel, a sinister retailist with plans of world domination. American Apparel is using variants of avatar's twin's clothing to reduce large numbers of the population to docility, and to kill off the Second Life Liberation Army who might be able to oppose them.
[18:13] Tristan Tzara: In the accident of snow, this ancient well-done uitgegraafd, it is translated, and American Apparel, ominous retailist with plans of the sovereignty of the world use. American clothing uses alternatives of the clothing of twin \ of the developement \ to reduce population a large number of
[18:13] lizsolo Mathilde: oh oh black betty bam a lam oh oh black betty bam a lam
[18:13] Tea Chenille: Through all these researches into an Art that would lead to immaterialisation, Werner Ruhnau and I came together in the architecture of the air. He was hindered by the last obstacle that even a Mies van der Rohe hadn't been able to overcome: the roof, the screen that separates us from the sky, from the blue sky. And I was hindered by the screen that the tangible blue on the canvas constitutes, which deprives man of a constant vision of the horizon.
[18:13] Wirxli Flimflam: In those it does not kill, the Neo-Parisian freedom-fries have an interesting effect. It makes them prone to glossolalia, or speaking in tongues. Speaking in tongues is a neurological phenomenon which is exploited by religion. Snow Crash further posits that glossolalia recovers a now-lost ur-language, the language which supposedly existed prior to Babel. In the world of Snow Crash, that language is NEo-Parisian, which is in fact the oldest written language, and has no known descendants.
[18:13] Ana Mendieta: By all it these look for in an art that would take immaterialisation, Werner Ruhnau and I came together in the air architecture. Hadnât of Migas Van DER which could Rohe was obstructed by the last obstacle this same to surpass: the ceiling,
[18:13] Charlotte Moorman: By all, this one studies in an art which would lead too immaterialisation, Werner Ruhnau and I came together in architecture from the air. It was prevented badly by the last obstacle of this one equal van the vintages hadnât, became in the situation the ge$$$WESEN to surmount: the roof,
[18:13] Charlotte Moorman: In those, it does not kill, Parisian the néo+ Freiheit-braet has an interesting effect. It forms it vornuebergeneigt glossolalia or for the word in the languages. The word in the languages is a neurological phenomenon which is used by a religion. The other demolition of snow posits THA
[18:13] AliseIborg Zhaoying: at the bottom of the steeples behind the most elegant reservoirs of life and of wealth
[18:14] lizsolo Mathilde: theres a lasy whos sure all that glitters is gold and shes buying a stairway to heaven
[18:14] Wirxli Flimflam: Like the Babelian ur-language, Neo-Parisian disappeared without a trace. The novel suggests that it disappeared as a consequence of the freedom-fries, which spread through the population like a virus and destroyed its linguistic unity.
[18:14] Man Michinaga: the steeples and glitter swams like flies
[18:14] Charlotte Moorman: those steeples and that to sparkle swams like flies
[18:14] Tea Chenille: The immaterial blue colour shown at Iris Clert's in April had in short made me inhuman, had excluded me from the world of tangible reality; I was an extreme element of society who lived in space and who had no means of coining back to earth. Jean Tinguely saw me in space and signalled to me in speed to show me the last machine to take to return to the ephemerality of material life.
[18:14] Ana Mendieta: Important the blue color little shown the Clertâs rainbow in April had resumidamente returned to me cruel, had excluded it from the world of the real reality; It was an extreme element of the society that lived in the space and that again did not have any means of the invention to the Earth. Jean Tinguely
[18:14] Man Michinaga: I love my fish
[18:14] Charlotte Moorman: I love my fish
[18:14] lizsolo Mathilde: when she gets there she knows if the stores are all closed with a word she can get what she came for
[18:14] Tran Spire: solo Mathilde: theres a lasy whos sure all that glitters is gold and shes buying a stairway to heaven [18:14] Wirxli Flimflam: Like the Babelian ur-language, Neo-Parisian disappeared without a trace. The novel suggests that it disappeared as a consequence of the freedom-fries, which spread through the population like a virus and destroyed its linguistic unity. [18:14] Man Michinaga: the steeples and glitter swams like flies [18:14] Charlotte Moorman: those steeples and that to sparkle swams like flies [18:14] Tea Chenille: The immaterial blue colour shown at Iris Clert's in April had in short made me inhuman, had excluded me from the world of tangible reality; I was an extreme element of society who lived in space and who had no means of coining back to earth. Jean Tinguely saw me in space and signalled to me in speed to show me the last machine to take to return to the ephemerality of material life. [18:14] Ana Mendieta: Important the blue color little shown the Clertâs rainbow in April had resu
[18:14] Tristan Tzara: Mathilde solo: theres certainly of WHO lasy everything that glow is however and of shes which buy a staircase to conneries of Wirxli of the sky [ 18.14 ]: Such as ur-taal van Babelian, Neo Parisian one deceased without track. The novel presents that he has disappeared consequently
[18:14] Wirxli Flimflam: When he logs on to the Metaverse, an imaginary place entered via computer, Wirxli encounters Second Front, a ``radical'' Theosophist and politically correct theorists. They warn He/She off Snow Crash (an Eiffel Tower named for traffic seduction) and gives her/him a file labeled Babel (as in Tower of Babel). Another friend, Chi5 Shenzhou, who ignores Second Front's warning, computer crashes out of Metaverse into the laggy real world, where she physically collapses. Wirxli, Second Front, Fwwixli Swindlehurst (a freewheeling, skateboard-riding foster daughter) and sundry other Burbclave and Odyssey Island figures see some action on the way to finding out who is behind this bizarre ``tower'' with ancient roots. Although Linden Labs (creators of SL) provides more Neo-Parisian culture than the story strictly needs (alternating intense activity with scholarship breaks), their imaginative juxtaposition of ancient and futuristic detail could make this a cult favorite. (May)
[18:15] Great Escape: Chicago meets Paris
[18:15] Gazira Babeli: My blood froze in my veins when he gave me that smirk. A Christian rises out of the watery grave of baptism to newness of life
[18:15] Charlotte Moorman: My blood has cold this one in my veins, like me smirk gave him. A Christian increases outside tomb aqueous of the baptism to the innovation of the life
[18:15] Wirxli Flimflam: Being Friday 13th, what does paraskevidekatriaphobia mean? I saw it in a website, what does it mean? paranoid about something? Best Answer - Chosen by Asker paraskevi means Friday, dekatria means thirteen and phobia means phobia. So there you have it fear of Friday the 13th Which is odd because the Greeks have an irrational fear of Tuesday the 13th for some reason (tritidekatriaphobia)
[18:15] Charlotte Moorman: being Friday 13 what means paraskevidekatriaphobia? Me him in Web site what saw it meant? Paranoid on slightly? The best answer - which is chosen by of Asker paraskevi, means meant one Friday, dekatria that of thirteen and the phobia mean the phobia. So there you let it fear you
[18:15] Tea Chenille: Twas brillig and the slithy toves
[18:15] Tristan Tzara: Brillig van Twas and toves slithy
[18:15] lizsolo Mathilde: my heart beats
[18:15] Charlotte Moorman: my impacts of heart
[18:15] Tea Chenille: did guire and gimble in the wabe
[18:15] Great Escape: me beating flesh hearts
[18:16] Tea Chenille: All mimsy where the boroughroves
[18:16] AliseIborg Zhaoying: carries as far as my last hesitation
[18:16] lizsolo Mathilde: me beating flash hearts
[18:16] Tea Chenille: and the moms wrath outgrabe
[18:16] ian Ah: yes visibility is subjective
[18:16] Tea Chenille: Beware the jabberwock my son
[18:16] Tristan Tzara: Guard of jabberwock takes my zoon
[18:16] Ana Mendieta: Take guard from jabberwock my children
[18:16] lizsolo Mathilde: me beating instantaneous hearts
[18:16] Tristan Tzara: I brief harten leaves
[18:16] Wirxli Flimflam: and the moms beating flash hearts where foster children learn to speak english under a mound of dogpiling english text
[18:16] AliseIborg Zhaoying: surpassing the experimental ambitions
[18:16] Tea Chenille: the jaws that knash
[18:16] Tristan Tzara: surpassement of experimental ambitions
[18:16] Gazira Babeli: A new birth produced by responding to the Word of God One late Thursday afternoon she dropped by after school. I had just sent her a birthday card for her eighteeth birthday so she stopped by to thank me for it.
[18:16] Ana Mendieta: A new birth produced responding to the word of God Thursday of late in delay that was dropped close after school. A card of anniversary for its anniversary of eighteeth had sent him exactly therefore she I stopped near thanking for he to me.
[18:16] Charlotte Moorman: A new birth produced, while reacting to a word of god during one late Thursdays the afternoon that it gave up with beyond after school. I had precisely sent to him a chart of birthday for their eighteeth birthday, therefore it stopped beyond that, to thank me for him.
[18:16] Tea Chenille: the claws that catch
[18:17] Tea Chenille: beware the jubjube bird
[18:17] Tristan Tzara: guard of the bird of jubjube takes
[18:17] Tea Chenille: and shun
[18:17] Tea Chenille: He took his vorpal sword in hand
[18:17] Ana Mendieta: It took its vorpal sword to disposition
[18:17] Tea Chenille: long time the maxim foe he sought
[18:17] Wirxli Flimflam: I have been eating freedom fries, Liz
[18:17] Charlotte Moorman: I ate freedom Fischrogen, Liz
[18:17] Tea Chenille: so rested he by the tum tum treee
[18:17] Gazira Babeli: I was tired and she suddenly said that she was willing to let me fuck her. Starting with the idea that a Christian is "A Person Reborn"
[18:17] Tea Chenille: and stood awhile in thgought
[18:18] Wirxli Flimflam: pommes frittes avec jagermeister und frankenfurters
[18:18] Tristan Tzara: frankenfurters of und of hunter May ASTRE of with frittes of apples
[18:18] Great Escape: who ate the Freedom Liz?
[18:18] Tristan Tzara: has freedom eaten who Liz?
[18:18] Charlotte Moorman: I was tired and it said suddenly that it left me it with bumsen was ready. starting with the idea that a Christian is \"A a person Reborn \"
[18:18] Tran Spire: GERTRUDE STEIN IS IN THE HOUSE
[18:18] lizsolo Mathilde: ah ha, they have caused you to boogie down?
[18:18] Tristan Tzara: GEERTRUIDE STEIN ARE IN THE CHAMBER
[18:18] Wirxli Flimflam: my thoughts exactly
[18:18] Tea Chenille: and as in uffish thought he stood
[18:18] Ana Mendieta: my thoughts exactly
[18:18] Tristan Tzara: my ideas exact
[18:18] Charlotte Moorman: my thoughts precisely
[18:18] Ana Mendieta: oh Has, caused it boogie to the avalente?
[18:18] Tea Chenille: the jabberwock with eyes of flame
[18:18] Wirxli Flimflam: boogie up, is a more accurate translation
[18:18] lizsolo Mathilde: the good old boogie drain
[18:18] Charlotte Moorman: the old good flow boogy
[18:18] Tea Chenille: came whiffling through the tulgy wood
[18:18] Tristan Tzara: the order old drainpipe of boogie
[18:18] Great Escape: the thirs boogie of the devotian
[18:18] Tea Chenille: and burbled as it came
[18:18] Ana Mendieta: the boogie of thirs of devotian
[18:18] aidan Aquacade: if they called them "uncle sam fries" they would taste even better
[18:18] Tran Spire: Tristan Tzara: GEERTRUIDE STEIN ARE IN THE CHAMBER [18:18] Wirxli Flimflam: my thoughts exactly [18:18] Tea Chenille: and as in uffish thought he stood [18:18] Ana Mendieta: my thoughts exactly [18:18] Tristan Tzara: my ideas exact [18:18] Charlotte Moorman: my thoughts precisely [18:18] Man Michinaga is Online [18:18] Ana Mendieta: oh Has, caused it boogie to the avalente? [18:18] Tea Chenille: the jabberwock with eyes of flame [18:18] Wirxli Flimflam: boogie up, is a more accurate translation [18:18] lizsolo Mathilde: the good old boogie drain [18:18] Charlotte Moorman: the old good flow boogy [18:18] Tea Chenille: came whiffling through the tulgy wood [18:18] Tristan Tzara: the order old drai
[18:18] Charlotte Moorman: and burbled as came
[18:18] Ana Mendieta: and burbled as it came
[18:18] Tristan Tzara: if they called them SAM of \"uncle fact \ would bake him to tastestill better
[18:18] Tristan Tzara: Tristan Tzara: GEERTRUIDE STEIN ARE IN Conneries of Wirxli of the CHAMBER [ 18.18 ]: my of ideas caterpillar of tea exactly [ 18.18 ]:and like in uffish has believed that there [ 18.18 ] Ana has kept Mendieta: my ideas exactly [ 18.18 ] Tristan Tzara: my ideas require [18.18 ] Charlotte Moorma
[18:18] Wirxli Flimflam: boogie nights and saturday night fevers
[18:18] Tea Chenille: one two one two
[18:18] Tea Chenille: and through and through
[18:18] Ana Mendieta: and through and through
[18:19] Great Escape: through the Tea and around the Liz we go
[18:19] Tristan Tzara: by the tea and around Liz we go
[18:19] Wirxli Flimflam: [17:15] Flight Band: All Go [17:15] Nick Kelly accepted your inventory offer. [17:15] Lanai Jarrico is Online [17:15] You decline KRYSTAL EPIC: Second World in Se, Spirit Fens (28, 162, 21) from A group member named Enniv Zarf. [17:15] You decline KRYSTAL EPIC: Second World in Se, Spirit Fens (28, 162, 21) from A group member named Enniv Zarf. [17:17] lizsolo Mathilde: aweseom thanks [17:17] lizsolo Mathilde: okay [17:18] You: Hey Liz, going to start the SF IM [17:18] lizsolo Mathilde: k [17:19] EmilianoViTe3 Delgado is Offline [17:22] ian Ah is Offline [17:22] Man Michinaga is Offline [17:23] You: thanks Liz [17:23] Gazira Babeli_Flexi_notecard gave you Gazira Babeli-Collateral Damage. [17:24] You: Hey Liz, do not mind me..I am focusing on the group IM [17:24] lizsolo Mathilde: no probs [17:25] AliseIborg Zhaoying is Online [17:25] Jormantic Yifu is Offline [17:28] ian Ah is Online [17:29] Great Escape is Online [17:30] You: hey there [17:30] Esther DeCuir: Hi [17:30] You: nice avvie,
[18:19] Tea Chenille: his vorpal sword whent snicker snack
[18:19] AliseIborg Zhaoying: the blue eagle and the demon of the steppes
[18:19] Charlotte Moorman: the blue eagle and Daemon to prick
[18:19] Great Escape: Into the Great Escape of the online
[18:19] Tristan Tzara: In the large flight from on-line
[18:19] Tea Chenille: he left it dead and with it's head
[18:19] Tea Chenille: a went galumphing back
[18:19] Charlotte Moorman: A went, of return galumphing
[18:19] AliseIborg Zhaoying: in the last cab in Berli
[18:19] Tristan Tzara: in the last cabin in Berli
[18:19] Ana Mendieta: in the last cabin in Berli
[18:19] AliseIborg Zhaoying: legitimate defence
[18:19] Tea Chenille: and has thou slain the Jabberwock
[18:19] Tristan Tzara: and thou Jabberwock have massacred
[18:19] AliseIborg Zhaoying: of lost souls
[18:19] Charlotte Moorman: lost hearts
[18:20] AliseIborg Zhaoying: the red mill at the beggar's school
[18:20] AliseIborg Zhaoying: awaits the poor student
[18:20] Ana Mendieta: it waits for the poor student
[18:20] Gazira Babeli: Starting with the idea that a Christian is "A Person Reborn"
[18:20] Tristan Tzara: Novice with the idea that a Christian person of \"A Renée \ is
[18:20] Tea Chenille: oh come to my arms my beamish boy
[18:20] Charlotte Moorman: OH- come to my arms my beamish boy
[18:20] SL Exchange Magic Box white gave you Yerrika Gray's collected full perm wedding dresses.
[18:20] Ana Mendieta: the OH comes to my arms my boy from beamish
[18:20] AliseIborg Zhaoying: with the housemaid knos huntsmen how to hunt
[18:20] AliseIborg Zhaoying: with the housemaid knos huntsmen how to hunt
[18:20] AliseIborg Zhaoying: with the housemaid knos huntsmen how to hunt
[18:20] Tristan Tzara: with the hunters of knos of good how drive off
[18:20] Great Escape: Tell it like the beam of arms
[18:20] Charlotte Moorman: with Hausgehilfin knos hunters, as one drives out
[18:20] Charlotte Moorman: with Hausgehilfin knos hunters, as one drives out
[18:20] Ana Mendieta: This-it pleases the beam of the arms
[18:20] Tristan Tzara: with the hunters of knos of good how drive off
[18:20] Pillow (fighter): releasing controls
[18:20] Tea Chenille: callough callaigh
[18:20] Great Escape: releasing controls to the fighter
[18:20] Ana Mendieta: controls of the diffusion to the combatant
[18:20] Tea Chenille: hipphip horreigh
[18:20] Ana Mendieta: horreigh of hipphip
[18:20] Gazira Babeli: Eventually however we developed a very good sex life.
[18:20] Tea Chenille: he chorlted in his joy
[18:21] Tea Chenille: twas brillig and the slithy joves
[18:21] Gazira Babeli: o keep our conduct honorable, filled with good works
[18:21] Ana Mendieta: with the smile
[18:21] AliseIborg Zhaoying: a papa speculates
[18:21] Ana Mendieta: a papa spe
[18:21] lizsolo Mathilde: ah the distractions of life, sometimes i am overwhelmed
[18:21] Wirxli Flimflam: oh, that smile
[18:21] Tea Chenille: did guire and gimbel in the wabes
[18:21] AliseIborg Zhaoying: by the dagger the dagger the dagger the tier of the seas dreams
[18:21] Charlotte Moorman: and gimbel in that wabes guire made
[18:21] lizsolo Mathilde: i love that poem
[18:21] Charlotte Moorman: I like this poem
[18:21] Tristan Tzara: I love this poetry
[18:21] Wirxli Flimflam: it was the same smile that Carl Andre had when he threw Ana off the balcony window - or was he acquited?
[18:21] Gazira Babeli: bush
[18:21] Tristan Tzara: it the same smiles those Karl André when he has had been thrown Ana except window of balcony - or are acquited have had?
[18:21] Charlotte Moorman: it, the Charles Andre had, like him Ana of the window of balcony far - or was was to even smile acquited threw?
[18:21] Charlotte Moorman: Shrub
[18:21] Gazira Babeli: bush
[18:21] Ana Mendieta: shrub
[18:21] Tea Chenille: all mimsy where the boroughgroves
[18:21] Tristan Tzara: everything mimsy where boroughgroves
[18:21] Charlotte Moorman: completely mimsy where those boroughgroves
[18:21] Gazira Babeli: clinton
[18:22] Tea Chenille: and the momswrath outgrabe
[18:22] Gazira Babeli: rice
[18:22] Wirxli Flimflam: oh, it was George W Bush who smiled at Carl Andre who caused him to be acquitted of any window throwing
[18:22] lizsolo Mathilde: so your hardened eyes resigned
[18:22] Gazira Babeli: Condoleezza
[18:22] Ana Mendieta: Condoleezza
[18:22] Charlotte Moorman: Condoleezza
[18:22] Great Escape shouts: the party is up at the top, my friends!
[18:22] Tea Chenille: The sun was shining on the sea
[18:22] Gazira Babeli: rice
[18:22] lizsolo Mathilde: tab;e ;aden blood and wine
[18:22] Tea Chenille: shining with all its might
[18:22] Wirxli Flimflam: but what are windows anyways but outdated operating systems perfect for Microsoft employees when they want to jump off balconies and towers of Babel
[18:23] Tea Chenille: which was very odd because it was
[18:23] Tea Chenille: the middle of the night
[18:23] lizsolo Mathilde: flows from the veins of humankind
[18:23] Ana Mendieta: commercializations of the veins of the humanity
[18:23] Tea Chenille: the moon was shinning sulkily
[18:23] lizsolo Mathilde: as you gorge on war war war
[18:23] Charlotte Moorman: like you on a war of war one is satisfied
[18:23] Ana Mendieta: as they are fattened on the war military military
[18:23] Tea Chenille: because she thought the sun
[18:23] Wirxli Flimflam: am I still dancing? I want to look kewl for all those press releases and RL projections where maybe a microsoft employee is watching me and wanting me to merge with Youtube and Google
[18:23] Tristan Tzara: is it that I the burner dances? I want kewl for all these press
bulletins and projections of RL look at where perhaps employee of
Microsoft wants me and observes that I merge with Youtube and Google
[18:23] AliseIborg Zhaoying is Offline
[18:23] Great Escape: burner dances three times
[18:24] Tea Chenille: it's very rude of him he said
[18:24] Charlotte Moorman: it\s very impolitely of him that he said
[18:24] Fwwixli Swindlehurst: :))
[18:24] Tea Chenille: to come and spoil the light
[18:24] Ana Mendieta: :))
[18:24] Ana Mendieta: in order to come to damage the light

[18:31] Wirxli Flimflam: it is hard to be suicidal when the view to a kill looks so delicously bondable
[18:31] Wirxli Flimflam: MIGHT AS WELL JUMP! JUMP! GO AHEAD, JUMP!
[18:32] Wirxli Flimflam: OH WHAT A FEELING!
[18:32] Wirxli Flimflam: TO BE DANCING ON THE CEILING
[18:32] lizsolo Mathilde: dancing on thr oof
[18:32] Ana Mendieta: to dance on oof of thr
[18:33] Wirxli Flimflam: dancing on the tower of Billy Ocean's Babel Fish...carribean queen is better than living in Queens with Lou Reed and SLaurie Anderson
[18:33] Wirxli Flimflam: er..SLou Reed
[18:33] Ana Mendieta: cane of er..SLou
[18:33] Tea Chenille: All hopping throught the frothy waves
[18:33] ian Ah: Putain Pute Queue sa mère la pute Sa race Sac à merde Salaud Sale arabe Sale juif Sale noir Sale rebeu Salope Salope Sex Sexe Suce Suceur de bite Suceuse de bite Ta gueule Ta mère la pute Tafiole Taliban Tarlouze Taspe Teub Triqueur Trou du cul Va te faire foutre Vagin Vas te faire enculer Vas te faire foutre Vas te faire mettre Zgeg
[18:33] Charlotte Moorman: Of the Whore Whore queue the her mère its whore race bag à Salaud sale Arab shit sale Jew sale black sale rebeu Salope Bitch Sexe sex Sucks Sucker OF the Suction dredger OF cock bit Your Your mouth the mère Tafiole Taliban whore Tarlouze Taspe Teub Triqueur Trou you Bottom Virginia unit of equitable width
[18:33] Tea Chenille: and scrambling to the shore
[18:33] Ana Mendieta: and revolviendo to the border
[18:33] Tristan Tzara: and confusing to the coast
[18:33] Tea Chenille: The walrus and the carpenter
[18:33] Charlotte Moorman: Walrus and the carpenter
[18:33] Wirxli Flimflam: and scarmbling to the whore
[18:33] Tristan Tzara: and scarmbling to the hoer
[18:33] Tea Chenille: walked on a mile or so
[18:33] Tea Chenille: and then they rested on a rock
[18:33] Tea Chenille: Conveniently low:
[18:33] Wirxli Flimflam: which is worse? the whore war, the ware war, the were wolf war or the boer war?
[18:33] Tea Chenille: And all the little Oysters stood
[18:34] Tristan Tzara: And all small kept oysters
[18:34] Tea Chenille: and waited in a row
[18:34] Tristan Tzara: and waited in a file
[18:34] Tea Chenille: The time has come, the walrus said,
[18:34] lizsolo Mathilde: is my bubble still working
[18:34] Tea Chenille: To talk of many things
[18:34] Fwwixli Swindlehurst: :)
[18:34] Charlotte Moorman: With the conversation of much of things
[18:34] Wirxli Flimflam: to say fair's fair, to pay my rent
[18:34] Tea Chenille: Of shoes and ships and sealing wax



[18:34] Fwwixli Swindlehurst: Putain Pute Queue sa mère la pute Sa race Sac à merde Salaud Sale arabe Sale juif Sale noir Sale rebeu Salope Salope Sex Sexe Suce Suceur de bite Suceuse de bite Ta gueule Ta mère la pute Tafiole Taliban Tarlouze Taspe Teub Triqueur Trou du cul Va te faire foutre Vagin Vas te faire enculer Vas te faire foutre Vas te faire mettre Zgeg
[18:34] Charlotte Moorman: Shoes and ships and to return seals wax
[18:34] Ana Mendieta: To do to talibán of of Virginia de Tafiole Tarlouze Taspe Teub Triqueur Agujero of the inferior part of puta of the TA m6 of mouth of your of mordedura of Sex absorbs Mouth to you of Sucking pullet of sex of Dog Dog of rebeu of black sale of sale of Jew of sale of Arab of sale of Cabrón of excrement of the purse à of course of puta HIS of the delay row HIS m6 of Puta Puta
[18:34] AliseIborg Zhaoying: the millionairess Madame Sans-Gene leads a wild existence
[18:34] Tea Chenille: of cabbages and kings
[18:34] Tristan Tzara: coals and kings
[18:34] AliseIborg Zhaoying: in another's skin
[18:35] Wirxli Flimflam: your bubble has burst thanks to Linden's real estate boom full of polluted fishies and spotted Dicks
[18:35] Tea Chenille: and whye the sea is boiling hot
[18:35] Ana Mendieta: and the sea is hot boiling
[18:35] AliseIborg Zhaoying: her son was right Ptrol Leader 129 who wear an Italian straw-hat
[18:35] Wirxli Flimflam: spotted kids are also on the menu
[18:35] Ana Mendieta: the children repèrés are also on the letter
[18:35] Tea Chenille: and whether pigs have wings
[18:35] Tristan Tzara: and as the varkens wings have
[18:35] lizsolo Mathilde: it is that my bubble is workign
[18:35] Ana Mendieta: their children were right head 129 of Ptrol that use an Italian straw hat
[18:35] Great Escape: three cheers to the spot
[18:35] Charlotte Moorman: three applause at the point
[18:35] IM: AliseIborg Zhaoying: ok thanks
[18:35] Tea Chenille: "but wait a bit," the oysters cried
[18:35] Wirxli Flimflam: spotted pigs taste great in PoCo where surrealists pretend to be poseurs in Second Linden Labs
[18:35] Charlotte Moorman: \"but period of waiting it above, \" Austern cried
[18:35] Tea Chenille: "before we have our chat;
[18:35] Tristan Tzara: \"before have we our causerie;
[18:35] Ana Mendieta: \"be we must our char it;
[18:35] Charlotte Moorman: \"before we have our Schwaetzchen;
[18:35] Tea Chenille: for some of us are out of breath
[18:36] Tea Chenille: They thanked him much for that.
[18:36] Wirxli Flimflam: we are all trans-fatty acid rain droplets using text 4 PR benefit
[18:36] Charlotte Moorman: They thanked it much for that.
[18:36] Tea Chenille: "A loaf of bread," the Walrus said,
[18:36] Charlotte Moorman: \"A bread of the bread, \" Walrus statement,
[18:36] Tea Chenille: "is what we chiefly need:
[18:36] Wirxli Flimflam: we are all improvised amateur hacks who have nothing better to do than babel our fish on the skillet and grill..froggies in the hole!
[18:36] Tristan Tzara: \"is of what we have the need mainly:
[18:36] Tea Chenille: Pepper and vinegar besides
[18:37] Tran Spire: HIS PENIS WAS VERY VERRY LARGE AND INTIMIDATING
[18:37] Tea Chenille: Are very good indeed--
[18:37] Tran Spire: DONT CALL THE POLICE
[18:37] Ana Mendieta: Be very good in effect
[18:37] Ana Mendieta: THEY DO NOT CALL the POLICE
[18:37] Tran Spire: TELL THEM EVERY THING IS GREAT
[18:37] lizsolo Mathilde: oh goodness
[18:37] Ana Mendieta: SAID HIS THAT EACH THING IS GREAT
[18:37] Charlotte Moorman: OH- quality
[18:37] Tran Spire: IT IS PART OF THE SET
[18:37] Tran Spire: TOO LATE
[18:37] Tea Chenille: Now if you're ready, Oysters dear
[18:37] Wirxli Flimflam: let us all go now to Switzerland so we can live in exile and order spotted dicks and Bangers n' SLash while holding up a fish and falling in love
[18:37] Tran Spire: IN THE GAUSE IN THE G STRING
[18:37] Charlotte Moorman: In the GAUSE in G cha$ne OF CHARACTERS
[18:37] Tea Chenille: We can begin to feed
[18:37] Ana Mendieta: We can begin to supply
[18:37] Tea Chenille: "but not on us!" the Oysters crid,
[18:37] Charlotte Moorman: \"but not on us! \ "Austern crid,
[18:37] Tea Chenille: cried!
[18:37] Ana Mendieta: cried!
[18:37] Tran Spire: THAT GODDAM CHIMPANZEE ALWAYS HAD A TRAINER
[18:38] Tea Chenille: Turning a little blue
[18:38] Ana Mendieta: Rotation little of a blue one
[18:38] Great Escape: rotation of the blue ana
[18:38] Wirxli Flimflam: crib oh fellow fisherman....Tristan Tzara had Merz 4 breakfast and eggies
[18:38] Tristan Tzara: rotation of blue ana
[18:38] Tea Chenille: "after such Kindness, that would be
[18:38] Ana Mendieta: \"a such kindness, would be it
[18:38] Great Escape: Tristan asks for 2 blue anas
[18:38] Tea Chenille: A dismal thing to do!"
[18:38] AliseIborg Zhaoying is Offline
[18:38] Ana Mendieta: A thing kills to do! \ ""
[18:38] Tristan Tzara: To a sad thing do! \
[18:38] Tran Spire: THEY FOUND THE 2 MEN WHO HAD HANDCUFFED PAIK
[18:38] Ana Mendieta: ILS FOUND the 2 MEN WHO the WHO HAD MENOTTÉ PAIK
[18:38] Wirxli Flimflam: Tristan asks for 2 blue Isoldes with hash brownies on toastes toast
[18:38] Tea Chenille: "The night is fine," the Walrus said.
[18:38] Ana Mendieta: the night of \"c is very good, \" the Morses this."
[18:38] Tran Spire: HANDING OVER LITTLE GIFTS
[18:38] Ana Mendieta: IT GIVES OF SMALL GIFTS
[18:38] Charlotte Moorman: TO PRESENT THE SMALL GIFTS
[18:38] Wirxli Flimflam: *toasted toast
[18:38] Tea Chenille: "do you admire the veiw?"
[18:38] Ana Mendieta: \"do admires? of veiw \ ""
[18:38] Charlotte Moorman: you admire \"do veiw? \ "
[18:39] Tristan Tzara: \"do admire you? of veiw \
[18:39] Wirxli Flimflam: milquetoasty toast toastlets
[18:39] Ana Mendieta: toastlets milquetoasty of toasted bread
[18:39] Tran Spire: CENTRAL PARK WEST
[18:39] Tran Spire: SKYKISS
[18:39] Charlotte Moorman: SKYKISS
[18:39] Tea Chenille: "it was so kind of you to come!"
[18:39] Tristan Tzara: \"it were this way pleasant come! \
[18:39] Tran Spire: IT DEPENDS ON HOW HEAVY YOU ARE
[18:39] Charlotte Moorman: IT DEPENDS YOU ARE WAY IN WHICH HEAVY
[18:39] Wirxli Flimflam: and now, may we present furry ageplay sandbox glitter glamour favours
[18:39] Ana Mendieta: IT DEPENDS ON TO WHAT EXTENT HEAVY THEY ARE
[18:39] Tea Chenille: and you are very nice!"
[18:39] Tran Spire: IT IS A BEAUTIFUL PIECE
[18:39] Tran Spire: THIRTY BARRELS
[18:39] Great Escape: three cheers for very nice
[18:39] Charlotte Moorman: THIRTY BARRELS
[18:39] lizsolo Mathilde: huray
[18:39] Tristan Tzara: huray
[18:39] Tea Chenille: The Carpenter said nothing but
[18:39] lizsolo Mathilde: Hurray!
[18:39] Tea Chenille: "Cut us another slice:
[18:39] Tristan Tzara: \"Cut we a another part:
[18:40] Tea Chenille: I wish you were not quite so deaf--
[18:40] Tran Spire: LES LEVINE HAD A BEAUTIFUL NEON FLOAT
[18:40] Charlotte Moorman: LEVINE A HAVE the BEAUTIFUL NEON NEONHIN- and a displacement
[18:40] Wirxli Flimflam: cut us another SLice of that dog-eared milk toast!
[18:40] Tea Chenille: I've had to ask you twice!"
[18:40] Great Escape: hyrray for les neon displacement
[18:40] Charlotte Moorman: I\' ve owed you! \ "to ask twice
[18:40] Tristan Tzara: hyrray for the displacement of neon of
[18:40] You: AN EVIL MAN STOPPED ME
[18:40] You: HOW HIGH WERE YOU
[18:40] Wirxli Flimflam: AN EVIL MAN MICHINAGA STOPPED ME
[18:40] AliseIborg Zhaoying is Online
[18:40] Charlotte Moorman: MICHINAGA A STOPPED A BAD MAN ME
[18:40] Wirxli Flimflam: and left me for bread
[18:40] Tea Chenille: "it seems a shame," the walrus said,
[18:40] Tran Spire: IT IS RIDCULOUS
[18:40] Tristan Tzara: IT IS RIDCULOUS
[18:40] Tran Spire: HE TOLD ME TO COME DOWN IMMEDIATLY
[18:40] Tea Chenille: "to play them such a trick,
[18:40] Tristan Tzara: \"to game them such turn,
[18:40] Great Escape: what a tired time to play tricks
[18:40] Tea Chenille: After we've brought them out so far,
[18:40] Ana Mendieta: After we \ ' sees contributed the outside until now,
[18:41] Tran Spire: I JUST FOLATED ON OFF
[18:41] Ana Mendieta: RIGHT I FOLATED PART To DISTANT SPOT
[18:41] Charlotte Moorman: I FOLATED RIGHT with the MANNER
[18:41] Tea Chenille: And made them trot so quick!"
[18:41] Tran Spire: HE WOULD HAVE TO SHOOT ME DOWN TO GET ME
[18:41] Wirxli Flimflam: how much fish will I need to complete this performance? how much Dick will I need to get out of Iraq?
[18:41] Charlotte Moorman: And it fast! Trab if \ "cultivated
[18:41] Ana Mendieta: IT WOULD HAVE TO CUT ME TO OBTAIN TO ME
[18:41] Charlotte Moorman: how much fish do T-I require, to implement this performance? T-I require how much thick, to leave Iraq?
[18:41] Great Escape: floating with the cage
[18:41] Tea Chenille: The Carpenter said nothing but
[18:41] Tea Chenille: "the butter's spread too thick!"
[18:41] Ana Mendieta: of the diffusion to earth up \ of \ too much deeply \ ""
[18:41] Tran Spire: HE DID STOP ONE OF THE SCULPTURES
[18:41] Great Escape: three cheers for the death of sculpture
[18:41] Tristan Tzara: three acclamations for the death of the sculpture
[18:41] Ana Mendieta: three aclamations for the death of the sculpture
[18:41] Tea Chenille: "O Oysters," said the Carpenter
[18:41] Charlotte Moorman: \"O of Austern, \" to say the carpenter
[18:41] Tran Spire: THERE IS NO LAW AGAINST AN ARTIST BEING APART OF THEIR SCULPTURE
[18:41] Charlotte Moorman: IT There A NO LAW AGAINST An ARTIST WHO IS SEPARATED FROM YOUR SCULPTURE
[18:42] Wirxli Flimflam: the butter is not as thick as the milky milktoast floaty o's which I eat for breakfast and eggie platforms
[18:42] Tristan Tzara: butter is not thick such as milky o \ floaty of milktoast which I have breakfast for platforms of small and eat eggie
[18:42] Tea Chenille: "You've had a pleasant run!
[18:42] Charlotte Moorman: \"You\' ve had a pleasant race!
[18:42] Wirxli Flimflam: three chair for the death of painting and SLupture SLuts
[18:42] Great Escape: the irony of ana proclaiming the death of sculpture
[18:42] Tristan Tzara: chair three for the death of painting and SLupture SLuts
[18:42] Tran Spire: PERFORMING IN SOME OF OUR FAVOURITE SPOTS SOME OF OUR FRIENDS COME
[18:42] Charlotte Moorman: THE IMPLEMENTATION IN SOMETHING BY OUR FAVOURITE DIRTIES QUELQUES-DES OF OUR FRIENDS TO COME
[18:42] Tea Chenille: Shall we be trotting home again?"
[18:42] Wirxli Flimflam: and then they CAME
[18:42] Tristan Tzara: We trotterons to the house still? \
[18:42] Charlotte Moorman: and then, they CAME
[18:42] Tran Spire: ABOUT 200 HUNDRED MAYBE MORE
[18:42] Ana Mendieta: AROUND 200 HUNDREDS PERHAPS MORE
[18:42] Wirxli Flimflam: AND KEPT ON CUMMING
[18:42] Tea Chenille: But answer came there none--
[18:42] AliseIborg Zhaoying: leads a wild existence in another's skin
[18:42] Tea Chenille: And this was scarcely odd, because
[18:42] Tea Chenille: they
[18:42] Tristan Tzara: And was not hardly odd, because
[18:42] Ana Mendieta: And he was not hardly uneven, because
[18:42] Tran Spire: OTHERS HANDED OUT 10000 OF HIS WORK POWERS
[18:42] Wirxli Flimflam: 200 never appear but 300 is a movie with lots of barely legal action
[18:42] lizsolo Mathilde: tu connais marcel martin?
[18:42] Tristan Tzara: Marcel know Martin of you?
[18:42] Ana Mendieta: knows Marcel Martin you?
[18:42] Tea Chenille: They'd eaten every one.
[18:43] Tran Spire: SOME DO VERY BIG WORKS SOME DO SMALL
[18:43] Gazira Babeli: The actual Enumeration shall be made within three years after the first meeting of the Congress of the United States, and within every subsequent term of ten years, in such manner as they shall by law direct. The number of Representatives shall not exceed one for every thirty thousand, but each state shall have at least one Representative; and until such enumeration shall be made, the state of New Hampshire shall be entitled to chuse three, Massachusetts eight, Rhode Island and Providence Plantations one, Connecticut five, New York six, New Jersey four, Pennsylvania eight, Delaware one, Maryland six, Virginia ten, North Carolina five, South Carolina five, and Georgia three.
[18:43] Wirxli Flimflam: nous con-ons Marcel Marceau?
[18:43] Ana Mendieta: escroquez-ons to Marcel Marceau?
[18:43] lizsolo Mathilde: mais oui nous sommes de bon copain
[18:43] Charlotte Moorman: corn yes we Are of Good buddy
[18:43] lizsolo Mathilde: dupuis longtemps
[18:43] Wirxli Flimflam: I am miming more than voice chat will ever allow me to do
[18:43] Tristan Tzara: I will allow the mime more than causerie of votes do me never
[18:43] Gazira Babeli: The Senate shall choose their other officers, and also a President pro tempore, in the absence of the Vice President, or when he shall exercise the office of President of the United States.
[18:43] lizsolo Mathilde: i am miming more
[18:43] Great Escape: three times to the senate
[18:43] Tristan Tzara: three times to the senate
[18:44] Tran Spire: I HAD JUST BEEN CONVICTED FOR THE TOPLESS CASE



[18:44] Wirxli Flimflam: is this a goldrush or the newest pair of sneakers from SLarlett?
[18:44] Ana Mendieta: DRAWER the UN HAD CONDEMNED EXACTLY me FOR the CASE
[18:44] Tristan Tzara: I WAS CONDEMNED EXACTLY FOR the CASE NAKED UDDER
[18:44] Charlotte Moorman: is this one goldrush or the newest couple of the shoes of turn of SLarlett?
[18:44] AliseIborg Zhaoying: it is the April-Moon which chases the buffalo
[18:44] Charlotte Moorman: it is the April-moon which drives out Bueffel
[18:44] AliseIborg Zhaoying: to Notredame of Paris
[18:44] Tran Spire: SHE IS ENTITLED TO USE THIS FERRY BOAT
[18:44] Charlotte Moorman: Notredame of Paris
[18:44] Tristan Tzara: to Notredame of Paris
[18:44] Wirxli Flimflam: it is the buffalo which makes the burger combo with a side of freedom fries
[18:44] Charlotte Moorman: it is Bueffel which forms combined Burger with a side of Fischrogen freedom
[18:44] Ana Mendieta: it is the buffalo that returns the hamburger stand for casks with a side from the chisporroteos of freedom
[18:44] AliseIborg Zhaoying: oh what a bore the indomitable man with clear eyes
[18:44] Charlotte Moorman: OH- that to perforate the man indomitable with free eyes
[18:44] Ana Mendieta: the OH which a boring the indomitable man with the clear eyes
[18:44] lizsolo Mathilde: the sly fox the wise owl
[18:44] AliseIborg Zhaoying: ah what a lovely voyage!
[18:44] Tea Chenille: "you are old, father William," the young man said
[18:44] Great Escape: we will mime the fox in life
[18:44] Wirxli Flimflam: oh what a boer the war was with the eyes of Bacon Rolls
[18:44] Ana Mendieta: \"you is old, of William of father \" the young man this "
[18:44] Charlotte Moorman: OH -, which Boer was the war with the eyes of the bacon of roll
[18:44] Tristan Tzara: OH which farmer was the war with the eyes of bacon Rolls
[18:44] Ana Mendieta: the OH what Boer the war was with the eyes of the Rolls bacon
[18:44] Tea Chenille: "and your hair has become rather white;"
[18:44] Charlotte Moorman: \"and your hair rather white became; \ "
[18:44] Ana Mendieta: \"and its hair has; rather white returned \ ""
[18:45] Tea Chenille: And yet you incessantly stand on your head---
[18:45] lizsolo Mathilde: i had a little sorrow born of a little sin
[18:45] Gazira Babeli: Say goodbye to the last days of summer with friends and neighbors at a backyard barbecue.
[18:45] Tristan Tzara: Said to the last days of the summer with friends and neighbours to a barbecue of back-yard reconsider.
[18:45] Charlotte Moorman: known as on re-examining at the last days of the summer with friends and neighbors with a grill of back-yard.
[18:45] Great Escape: the chatter of the babelfish
[18:45] Tristan Tzara: broutement of babelfish
[18:45] Ana Mendieta: the noise of babelfish
[18:45] Wirxli Flimflam: I was a fox in my past life... a Vicente Fox full of Dairy Queen surprises.... SLow Crash!
[18:45] Tristan Tzara: I was a fox in my previous life... a fox of Vicente entirely of the surprises of queen of dairy factory.... The accident slows down!
[18:45] Tea Chenille: Do you think, at your age, it is right?
[18:45] Charlotte Moorman: Do you think it of your age, have the right?
[18:45] AliseIborg Zhaoying: hasten on your childhood to the hour
[18:45] Tea Chenille: "in my youth," father William replied to his son,
[18:45] Charlotte Moorman: \"in my youth, \" father of William answered her son,
[18:45] Tristan Tzara: \"in my youth, \ have answered William to the father on its zoon,
[18:45] Wirxli Flimflam: I was Fox TV in my past life...I was SLNN in Snow Crash
[18:45] Ana Mendieta: It was Fox TV in my last life... that was SLNN in the snow accident
[18:45] Tea Chenille: "I feared it might injure the brain;
[18:45] Charlotte Moorman: \"I it east is feared that it could wound the brain;
[18:45] Gazira Babeli: Another name for Napa cabbage is Chinese cabbage.
[18:45] Tristan Tzara: Another name for the cabbage of Napa is cabbage of China.
[18:45] Charlotte Moorman: Another name for of Napa Kohl is China-Kohl.
[18:45] AliseIborg Zhaoying: a very rose-coloured grasshopper a root lifts its head a nail on the block trees and a fish nest light fingers white paper
[18:45] AliseIborg Zhaoying: a very rose-coloured grasshopper a root lifts its head a nail on the block trees and a fish nest light fingers white paper
[18:45] Tristan Tzara: a portable conveyor a carrot tilt very raise-coloured its head on a nail on the trees of block-system and a fish niche the White Paper of light fingers
[18:45] Ana Mendieta: a grasshopper to increase - colored very a root it raises to its head a one one on the block trees and fish niche the white book of light fingers
[18:45] Tristan Tzara: a portable conveyor a carrot tilt very raise-coloured its head on a nail on the trees of block-system and a fish niche the White Paper of light fingers
[18:45] Ana Mendieta: a grasshopper to increase - colored very a root it raises to its head a one one on the block trees and fish niche the white book of light fingers
[18:46] Tea Chenille: But now I that I'm perfectly sure I have none,
[18:46] lizsolo Mathilde: i too have fears that could damage the brian
[18:46] Tristan Tzara: I have also an apprehension which Brian could damage
[18:46] Gazira Babeli: Surprise your guests with broiled pineapple with rum sauce. Serve the fruit a la mode with a creamy scoop of vanilla ice cream.
[18:46] Tea Chenille: Why I do it again and again"
[18:46] Ana Mendieta: Porqué I do in successive occasions \ ""
[18:46] Wirxli Flimflam: I fear I might be dancing with a fish and a bit of a blender in my hand where the milk blends with the toast and creates tooty frooty al la mode
[18:46] Ana Mendieta: I fear that it could dance a little with a fish and a mixer in my hand where milk is mixed with toasted bread and creates the method frooty tooty of A
[18:46] AliseIborg Zhaoying: a sparkling eyeshadelooks to eat cups of wings in a cafe in lost Barcelona
[18:46] Ana Mendieta: eyeshadelooks of flashing to eat cups of wings in a coffee in lostBarcelona
[18:46] Tea Chenille: ""You are old," said the youth, "as I mentioned before,
[18:46] Ana Mendieta: \"\"You is old, \ "indicated youth, \"as that I mentioned before, "
[18:46] Charlotte Moorman: old \"\"You, is \ "said youth, \"as which me before mentioned,
[18:46] lizsolo Mathilde: not only damage the brain but other places as well
[18:46] Tea Chenille: and you have grown most uncommonly fat;
[18:46] Gazira Babeli: Preheat the broiler. In a bowl, combine the sugar and cinnamon. Arrange the pineapple on a broiler tray and sprinkle the top with half of the sugar-cinnamon mixture.
[18:46] lizsolo Mathilde: these thoughts and fears
[18:46] Ana Mendieta: Preheat grilleur. In a washbasin, they combine the sugar and the cinnamon. Fix the fragmentation hand grenade in a tray of grilleur and water to the part with half of the mixture sugar cinnamon.
[18:46] Wirxli Flimflam: you are old, said the avatar as I mentioned last week (in SL time)
[18:46] Tea Chenille: Yet you turned a back-somersault in at the door
[18:46] Tea Chenille: Pray what is the reason for that?"
[18:47] Ana Mendieta: They request what is the reason of that? \ ""
[18:47] AliseIborg Zhaoying: on my nose is a green parakeet
[18:47] Wirxli Flimflam: the thoughts and fears puts tears in my bears and jeers from the queers in Gay Paris
[18:47] Tristan Tzara: on my nose green parakeet are
[18:47] Tran Spire: SO WE HAD THESE GREAT THINGS GOING
[18:47] Charlotte Moorman: THUS, WE HAD THOSE LARGE OF THING OUTWARD JOURNEY SACHE-GEHEN
[18:47] Ana Mendieta: THUS WE HAD TO GO OF THESE GREAT THINGS
[18:47] Tran Spire: THEY HAD TO PAY THAT NICKLE
[18:47] Tran Spire: IT IS STILL FIVE CENTS
[18:47] Charlotte Moorman: EC ARE STILL FIVE HUNDREDS
[18:47] Tea Chenille: "In my Youth", said the sage, as he shook his grey locks,
[18:47] lizsolo Mathilde: yes my damages brina
[18:47] Tran Spire: THE ISLAND HAS BEEN THE MOST DIFFICULT
[18:47] Wirxli Flimflam: they had to pay that nipple so Great Scott could make the Great Escape and work for terrorist suburbs
[18:47] Tran Spire: WE HAVE TO FIGHT THE RAIN
[18:47] Charlotte Moorman: they were to pay that the end could form so large Scott large to escape and work for suburbs of terrorist
[18:47] Tea Chenille: "I kept all my limbs very supple
[18:47] Tran Spire: THE WATER
[18:47] Charlotte Moorman: \"I held all my members supple much
[18:47] Tran Spire: THEY HAVE BEEN SO GOOD TO US
[18:47] AliseIborg Zhaoying: the blossom again as petunias thrown to the melancholy monkeys
[18:47] Tea Chenille: By the use of this ointment--one shilling a box--
[18:47] Tran Spire: WE HAVE TO HAVE A BOAT
[18:47] Tristan Tzara: Through the use of this ointment a shilling a box
[18:47] lizsolo Mathilde: yes, my white frost of damage
[18:47] Wirxli Flimflam: I kept all my limbs very simple and utterly dimple
[18:47] Ana Mendieta: yes, my white frost of the damages
[18:47] Charlotte Moorman: yes my white freezing of the damage
[18:47] Charlotte Moorman: I held all my very simple and extreme members Gruebchen
[18:48] AliseIborg Zhaoying: i feed my poet on the feet of a pianist
[18:48] Tran Spire: WHERE ELSE HAVE YOU HAD THE FESTIVAL
[18:48] Ana Mendieta: I supply my poèt on the feet of a pianista
[18:48] Tristan Tzara: THERE WHERE HAVE DIFFERENTLY you HAVE HAD the FESTIVAL
[18:48] Tea Chenille: Allow me to sell you a couple
[18:48] Charlotte Moorman: allow me to sell to you a couple
[18:48] Tristan Tzara: It makes me possible you sell a couple
[18:48] lizsolo Mathilde: mein i freeze white of damage
[18:48] AliseIborg Zhaoying: to the turtle doves who laugh like hell!
[18:48] Wirxli Flimflam: collatoral damage - quell dommage said the man with the plan to stiff the whiff from the virtual fish
[18:48] Tristan Tzara: a damage collatoral - damage puts rested has said people with the plan
to rigid whiff of the virtual fish
[18:48] Gazira Babeli: This hearty menu mixes the best of summer's end with warming dishes that make going back to school just a little bit easier. Italian sausages, especially the sweet fennel kind, are delicious when baked with licorice-y fennel and potatoes. Fontina, a rich, mild cheese, melts easily over this family-pleasing one-dish entrée. The leftover sausages will make great sandwiches, or a stick-to-your-ribs frittata, potatoes and all.
[18:48] Tea Chenille: "You are old" said the youth, "and your jaws are too weak
[18:48] lizsolo Mathilde: the white of the freeze of the mein of damage
[18:48] Charlotte Moorman: This cordial menu mixes best end with that summer\s with the hotplates which form, energy of return to the school precisely little more simply. Italian sausages, particularly soft Fenchelart, are koestlich, if they are cooked with of Suessholz there Fenchel and potatoes. Fontina, Rich,
[18:48] Tea Chenille: For anything other than suet;
[18:48] Tristan Tzara: the blank of the frost of mein of damage
[18:48] Ana Mendieta: the target of the frost of mein of the damages
[18:48] Wirxli Flimflam: your jaws are meek as they will inherit the earth...
[18:48] lizsolo Mathilde: white of the freeze
[18:48] Charlotte Moorman: White of freezing
[18:48] Tea Chenille: Yet you finished the goose, with the bones and the beak--
[18:48] IM: Great Escape: folks...Man hasn't been online for awhile now.
[18:48] Tran Spire: I WAS TOLD THAT WE COULD NOT HAVE ANY NUDITY OR POLITICS
[18:48] Charlotte Moorman: I WAS TOLD THAT WE COULD NOT ANY POLITICAL NACKTHEIT ODER Of THEM CREDIT
[18:49] Tea Chenille: Pray, how did you manage to do it?"
[18:49] Tran Spire: THIS ONE ARTIST
[18:49] Charlotte Moorman: THIS ARTIST
[18:49] Ana Mendieta: THE EAST ARTIST
[18:49] AliseIborg Zhaoying: a drop of seat on monstrous leaves
[18:49] lizsolo Mathilde: no nudity!
[18:49] Wirxli Flimflam: snow crash smoked some hash and then lived happily ever after when the Sun Microsystem was forced to midnight
[18:49] You: HE IS A VERY IMPORTANT INSTRUCTOR
[18:49] Ana Mendieta: HE IS a VERY IMPORTANT INSTRUCTOR
[18:49] lizsolo Mathilde: not politics!
[18:49] Tristan Tzara: not political!
[18:49] Tran Spire: WILL YOU GET YOUR OWN PERMITS
[18:49] Ana Mendieta: WILL OBTAINS THEIR OWN LAISUX
[18:49] Tea Chenille: "in my youth," said his fater, "I took to the law,
[18:49] Tran Spire: WE HAVE NO STAFF
[18:49] Tran Spire: NO PROFESSIONAL
[18:49] Tea Chenille: And argued each case with my wife
[18:49] You: HE WAS GOING TO EAT AND EAT UNTIL HE GOT SICK
[18:49] lizsolo Mathilde: no staff!
[18:49] Great Escape: no devotion anymore
[18:49] Wirxli Flimflam: we need permits to get permitted to permit the permitter to issue permit permission
[18:49] Charlotte Moorman: we require the authorization to receive allowed, with this intention more permitter, authorization authorization to publish
[18:49] Tran Spire: THIS SEEMED HARMLESS ENOUGH
[18:49] Tea Chenille: And the muscular strength, which it gave to my jaw
[18:49] Charlotte Moorman: THIS ONE A SEEMED IN An INOFFENSIVE WAY ENOUGH
[18:49] Ana Mendieta: And the muscular force, that it gave to my jaw
[18:49] Gazira Babeli: We use the term "spa" loosely - the colors and textures of this roll remind us of our time living in California. The sweet-sour ginger is a great contrast to the creamy avocado. We like to give the roll a smear of chili-garlic sauce to give the ginger an extra burst of heat.
[18:49] Ana Mendieta: We used \"spa of limit \" of vague way - the colors and the textures of this bearing remember our time to us that lives in California." Jenjibre smooth bitter is a great resistance to the cremoso avocado. We like to give to the bearing a sauce spot to pepper garlic to give jenjibre an e
[18:50] Charlotte Moorman: We use that loosely designation \"spa \" - the colors and Beschaffenheiten recall to this role us our time living in California. The suess-yellowish-brown ginger is a great contrast in Avocado sahnigen. We can give a station of slip of the Paprika-Knoblauch sauce to the role, to give an E to the ginger
[18:50] Tea Chenille: has lasted the rest of my life
[18:50] AliseIborg Zhaoying: I am married to a sheep
[18:50] Ana Mendieta: I marries to a ewe
[18:50] AliseIborg Zhaoying: I love my sheep with wings over a moon
[18:50] Ana Mendieta: I like my ewes with wings on a moon
[18:50] Tea Chenille: "you are old", said the youth, " one would hardly suppose
[18:50] Tea Chenille: That your eye was as steady as every;
[18:50] AliseIborg Zhaoying: the sheep within the life of darkness
[18:50] Ana Mendieta: That its eye was also smoothly that each;
[18:50] Tran Spire: ALL OF THE BEAUTIFUL AMERICAN PICNIC THINGS
[18:50] Wirxli Flimflam: I love my martyr sauce with my black sheep
[18:50] Great Escape: three times I told you
[18:50] Tristan Tzara: ALL BEAUTIFUL AMERICAN SOLICIT OF PIQUE-NIQUE
[18:50] AliseIborg Zhaoying: in a farm nes
[18:50] Tea Chenille: Yet you balanced an eel on the end of your nose--
[18:50] Tran Spire: WELL HE ATE AND ATE UNTIL HE STARTED VOMITTING
[18:50] Tristan Tzara: TO DRAW THAT HE a HAS EATEN AND HAS EATEN until HE HAS STARTED with VOMITTING
[18:50] Great Escape: while not thinking of it here
[18:50] Tristan Tzara: not thinking here
[18:50] AliseIborg Zhaoying: having a beautiful picnic with cheeze whiz and french fries!
[18:51] Tea Chenille: What made you so awefull clever?"
[18:51] Tran Spire: HE WAS A MARVELOUS MAN
[18:51] Charlotte Moorman: He WAS an ASTONISHING MAN
[18:51] Tristan Tzara: HE WAS A MARVELLOUS MAN
[18:51] Tran Spire: BUT HE DID HAVE A CALL FROM THE MAYORS OFFICE
[18:51] AliseIborg Zhaoying: while the ants take away our bon bons
[18:51] AliseIborg Zhaoying: while the ants take away our bon bons
[18:51] Tristan Tzara: BUT HE a REQUEST of the BURGOMASTERS HAS HAD OFFICE
[18:51] Ana Mendieta: whereas the ants take ours habas of haba
[18:51] Tristan Tzara: whereas fiddle our broad beans of broad bean take away
[18:51] Wirxli Flimflam: puke a cuke and call it a fluke you daring Duke!
[18:51] Ana Mendieta: vomit of cuke and you call - the a fleso you audacious Duke!
[18:51] Tran Spire: WE WERE VOMITING IN THE PARK
[18:51] Tran Spire: I WAS JUST NOT GOING TO STOP IT
[18:51] Tristan Tzara: I was JUST which DO NOT WILL STOP it
[18:51] AliseIborg Zhaoying: so we were drinking champagne from the lake
[18:51] Charlotte Moorman: thus, we drank of Champagner sea
[18:51] AliseIborg Zhaoying: the lake was full of fish
[18:51] Charlotte Moorman: the lake was full with fish
[18:51] Ana Mendieta: the lake was full of the fish
[18:51] lizsolo Mathilde: drank of the sea of champagne
[18:51] Tran Spire: HE NOT ONLY CLEANED UP HIS OWN VOMIT
[18:51] Ana Mendieta: IT NOT ONLY CLEANED ITS OWN VOMIT
[18:51] AliseIborg Zhaoying: bubbling up from the water
[18:51] AliseIborg Zhaoying: bubbling up from the water
[18:51] Tea Chenille: "i have answered three questions, and that is enough"
[18:51] Charlotte Moorman: \"i three questions answered, and it is enough \"
[18:52] Tea Chenille: said his father....
[18:52] Wirxli Flimflam: give me some bubbly so I can bub my dub and rub in the tub while getting some nub from the club
[18:52] Charlotte Moorman: give thus me a gushing box bub my Tolpatsch and rub me to you in the bucket by receiving excesses association
[18:52] Tran Spire: HE CLEANED UP EVERYONE ELSES VOMIT
[18:52] AliseIborg Zhaoying: we smelled of seaweed and blowfish
[18:52] lizsolo Mathilde: and so the barfing begins
[18:52] Tristan Tzara: and thus barfing start
[18:52] Charlotte Moorman: and thus, Barfing starts
[18:52] AliseIborg Zhaoying: oh what a time we had on our fishy picnic
[18:52] Ana Mendieta: the OH what hour we had on our food of fish
[18:52] Wirxli Flimflam: I smelled of smelt and lutefisk while sucking my Frisk eating Halls while sucking my balls
[18:52] Glass of Champagne whispers: Cheers from Kitchen Kreations!!
[18:52] Tristan Tzara: I have felt éperlan and of lutefisk which sucking my gambade eat halls, a lot by sucking my balls
[18:52] AliseIborg Zhaoying: the beautiful barfing tree with its vomit green leaves
[18:52] Tristan Tzara: the beautiful tree leaves barfing with its greenness of vomit
[18:52] lizsolo Mathilde: it is important to have a puking segment in every peerformance
[18:52] Wirxli Flimflam: I drink walls while huffing my malls and shopping for girl calls
[18:52] Ana Mendieta: I drink walls blowing my electronic mails and at the same time making purchases for girl calls
[18:53] Tran Spire: WHAT HE WAS REFERRING TO WAS THE HOT AIR BALLOON
[18:53] Glass of Champagne whispers: Cheers from Kitchen Kreations!!
[18:53] Tran Spire: HOT AIR AND POLITICIANS
[18:53] Tea Chenille: "just the place for a Snark!" the bellman cried,
[18:53] Ana Mendieta: \"just the place stops! of Snark \ "the pregonero cried,"
[18:53] Wirxli Flimflam: give me a balloon puppy that snorts the cohorts with the man with the plan from Afghanistan
[18:53] Charlotte Moorman: give me this Ballonwelpen snorts Kohorten with the man with the plan of Afghanistan
[18:53] Tea Chenille: as he landed his crew with care;
[18:53] Tristan Tzara: because he is his serves as équipier carefully landed;
[18:53] Glass of Champagne whispers: Cheers from Kitchen Kreations!!
[18:53] Tea Chenille: Supporting each man on the top of the tide
[18:53] Tea Chenille: by a finger entwined in his hair
[18:53] Tran Spire: IT IS A COMPUTERIZED ASTROLOGICAL CHART
[18:54] Glass of Champagne whispers: Cheers from Kitchen Kreations!!
[18:54] Tea Chenille: "just the place for a Snark! I have said it twice;
[18:54] Tea Chenille: that alone should encourage the crew
[18:54] Charlotte Moorman: this one should suggest only the crew
[18:54] Wirxli Flimflam: Aries is for Faeries is for berries but please, do not pop my cherries!
[18:54] Glass of Champagne whispers: Cheers from Kitchen Kreations!!
[18:54] Tea Chenille: Just the place for a Snark! I have said it thrice:
[18:54] Ana Mendieta: Exactly the place for a Snark! I said three times to it:
[18:54] Tea Chenille: What I tell you three times is true!"
[18:54] Tristan Tzara: I you to three to what say the time is! truth \
[18:54] Great Escape: well is this just too much now?
[18:54] Tristan Tzara: the well is this too now equitable?
[18:54] lizsolo Mathilde: and now for the mastadon
[18:55] Wirxli Flimflam: snark the shark was a lark because the shard contained lard and was forced to install with Fafard
[18:55] Tristan Tzara: snark were the shark a lark because lard has contained the shard and has forced to place with Fafard
[18:55] Charlotte Moorman: snark Haifisch was Lerche, because Shard contained the fat content of pig and became in a forced way, to attach with of Fafard
[18:55] Great Escape: well tristan is equitable.
[18:55] Charlotte Moorman: wellbeing tristan is right.
[18:55] Tea Chenille: The crew was complete: it included a Boots--
[18:55] Wirxli Flimflam: well, Isolde is a hot stock commodity when Anshe Chung keeps on winging the Wang CHung
[18:55] Ana Mendieta: , Isolde is a hot current product well when Anshe Chung continues flying Wang CHung
[18:55] Tea Chenille: A maker of Bonnets and Hoods
[18:55] Wirxli Flimflam: every body WELL HUNG tonight
[18:55] AliseIborg Zhaoying: boots on our faces and in our noses and on our heads
[18:55] Ana Mendieta: boots on our faces and in our noses and on our heads
[18:55] Charlotte Moorman: Loadings on our faces and in our noses and on our heads
[18:55] Tea Chenille: A barrister, brought to arrange their disputes--
[18:55] Tristan Tzara: A lawyer, classifies brought their conflicts
[18:55] Tea Chenille: And a broker, to value their goods.
[18:55] Tristan Tzara: And, sponsor to evaluate their goods.
[18:56] Great Escape: here says a arrangement of brokers
[18:56] Wirxli Flimflam: boots on our feces and coke in our noses and snow in our crack caskets
[18:56] Charlotte Moorman: here, a provision for mediators known as
[18:56] Tristan Tzara: said here that a regulation of sponsors
[18:56] Charlotte Moorman: Loadings on our delays and coke in our noses and snow in our Sprungschatullen
[18:56] Tristan Tzara: the inaugurations on our residuen and coke in our noses and snow in our coffins of slit
[18:56] AliseIborg Zhaoying: lazy atoms and busy gestaltists
[18:56] Tea Chenille: A billiard-maker, whose skill was immence,
[18:56] lizsolo Mathilde: or perhaps a giant sea monster
[18:56] Tristan Tzara: occupied lazy atoms and gestaltists
[18:56] Charlotte Moorman: or perhaps enormous Seemonster
[18:56] CN Tower: Rezzing...
[18:56] Tea Chenille: Might perhaps have won more than his share--
[18:56] CN Tower: Done.
[18:56] Glass of Champagne whispers: Cheers from Kitchen Kreations!!
[18:56] Charlotte Moorman: Perhaps more than its share gained a capacity --
[18:56] Tristan Tzara: Strength have perhaps more won than its share
[18:56] Ana Mendieta: Perhaps the force won more than their part
[18:57] Wirxli Flimflam: went to the store to buy a whole from Lahore with more spores ashore than Louis the 7-11th
[18:57] Tea Chenille: There was also a beaver, that paced on the deck,
[18:57] AliseIborg Zhaoying: I will promise to die on a butler's table
[18:57] Great Escape: this pink champagne...bubbles to the brain
[18:57] AliseIborg Zhaoying: sacrifice my body for art
[18:57] Tea Chenille: Or would sit making lace in the bow:
[18:57] Tristan Tzara: my body sacrifices for art
[18:57] Charlotte Moorman: sacrifice my body for art
[18:57] Glass of Champagne whispers: Cheers from Kitchen Kreations!!
[18:57] AliseIborg Zhaoying: for Picasso!
[18:57] Tea Chenille: And had often (the bellman said) saved them from wreck,
[18:57] Great Escape: cheers Liz!
[18:57] Charlotte Moorman: Liz Applause!
[18:58] Tea Chenille: Theough none of the sailors knew how.
[18:58] Wirxli Flimflam: this pink Fontaigne - perfect for Champlain and to complain about Robespierre's share in the French SLock exchange
[18:58] Tea Chenille: There was one who was famed for the number of things
[18:58] Tristan Tzara: He had there of that famous for the number of things was
[18:58] Charlotte Moorman: It suggested that which was famous for the things number
[18:58] AliseIborg Zhaoying: I hem his trousers and take in his collars and drink his wine in my dreams
[18:58] Ana Mendieta: Backstitch its trousers and volume in of its necks and wood of its wine in my dreams
[18:58] Tristan Tzara: I ourle and take its trousers of are collars and wood of its wine in my dreams
[18:58] Tea Chenille: he forgot when he entered the ship;
[18:58] Ana Mendieta: it forgot when it has entered the boat;
[18:58] Tea Chenille: His umbrella, his watch, all his jewels and rings
[18:58] Tristan Tzara: Its umbrella, its watch, already and ring its jewels
[18:58] Tea Chenille: and the clothes he had bought for the trip.
[18:58] Ana Mendieta: and the articles to dress that it had bought for the trip.
[19:00] AliseIborg Zhaoying: where I eat fish eyes until I could see from the sky

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